WEBVTT 00:00.000 --> 00:03.848 This second chapter is using a lot of techniques 00:03.860 --> 00:07.720 and theory of the first chapter. In these videos 00:07.721 --> 00:11.156 I will guide you on how to build a body out of 00:11.168 --> 00:14.540 primitive objects. We will cover this in this 00:14.541 --> 00:17.571 video in a moment. In the next videos we will 00:17.583 --> 00:20.760 continue to define the primitive objects to get 00:20.761 --> 00:24.021 a full planar body. If you want you can use your 00:24.033 --> 00:27.100 head sculpt from chapter one to attach to the 00:27.101 --> 00:31.216 chapter but it's not really necessary. And just 00:31.228 --> 00:35.180 like chapter one this is followed by merging, 00:35.460 --> 00:38.849 smoothing and stylizing the body. The difference 00:38.861 --> 00:42.120 is that we'll already plan out the stylization 00:42.121 --> 00:45.575 while we have the objects separated. After that 00:45.587 --> 00:48.980 I will go more into a time lapse to cover more 00:48.981 --> 00:54.440 ground on polishing the body while giving commentary on my methods, design decisions 00:54.441 --> 00:58.489 and thought process. After that I will go over 00:58.501 --> 01:02.560 the basics on creating different types of base 01:02.561 --> 01:05.731 meshes for sculpting clothes. This is then 01:05.743 --> 01:09.380 followed up with demonstrations and explanations 01:09.381 --> 01:13.099 on how to sculpt fabric, wrinkles and folds. 01:13.111 --> 01:17.180 With all those lessons completed I will give you 01:17.181 --> 01:20.169 full commentated time lapses of sculpting 01:20.181 --> 01:23.620 Reign's body and outfits. So let's get started! 01:25.020 --> 01:29.480 Just like with the head we'll start by modeling the body out of primitive objects 01:29.481 --> 01:32.881 with minimal changes to the geometry. For the 01:32.893 --> 01:36.380 head you can create one from scratch or if you 01:36.381 --> 01:39.068 want you can just import the one from chapter 01:39.080 --> 01:41.720 one. You can do this by either appending the 01:41.721 --> 01:45.196 collection that you put the head objects in or 01:45.208 --> 01:48.620 by opening the file selecting the objects you 01:48.621 --> 01:52.754 want to copy and then copying them with ctrl c 01:52.766 --> 01:56.820 then open the body file and paste the objects 01:56.821 --> 02:04.160 with ctrl v. So right now it's all about the most basic proportions and shapes that 02:04.161 --> 02:07.277 the human body is built off. For this example 02:07.289 --> 02:13.296 I'm again going to use the male anatomy as an example but the Reign time lapses will 02:13.308 --> 02:16.840 fill in the rest by showing you the female one. 02:17.840 --> 02:20.646 And this is again really about internalizing 02:20.658 --> 02:23.540 the overall body shapes, forms and structure. 02:24.120 --> 02:28.280 Eventually you could even just sculpt the entire body from one sphere if you like 02:28.281 --> 02:31.649 as long as you internalize the basics through 02:31.661 --> 02:34.740 practice. Just like in chapter one I kept 02:34.741 --> 02:37.345 organizing my sculpted objects and collections 02:37.357 --> 02:39.860 and named them in the outliner to the right. 02:40.000 --> 02:47.060 This makes quick hiding, isolating and orientation very easy. We are going to 02:47.061 --> 02:50.336 start off with the torso. I made some quick 02:50.348 --> 02:53.940 annotation drawings to show you the proportions 02:53.941 --> 02:56.419 and shapes we are generally going for. You 02:56.431 --> 02:59.040 can download and check out the file yourself 02:59.041 --> 03:05.880 with my body sculpting results included. Generally all the human proportions can be. 03:06.480 --> 03:10.687 based on the size of the head. For an idealized 03:10.699 --> 03:14.380 body the human is about eight heads tall. 03:15.180 --> 03:19.560 You can see the overall proportions in this with written down milestones 03:19.561 --> 03:25.740 of what part of the body is where. For each head you stack on top of each other. 03:27.420 --> 03:29.997 You can find more detailed illustrations of 03:30.009 --> 03:32.900 this online of course. Just search for something 03:32.901 --> 03:36.002 along the lines of human drawing proportions. A 03:36.014 --> 03:39.260 more accurate way of measuring the body would be. 03:39.940 --> 03:45.040 more like seven and a half heads but we'll stick to the idealized version since it's 03:45.041 --> 03:48.466 simpler to memorize. For the torso it's good 03:48.478 --> 03:51.680 to start out looking at it from the side. 03:52.100 --> 03:54.528 The spine is curved by nature so it's good to 03:54.540 --> 03:56.980 start with the torso thinking of a sphere for 03:56.981 --> 03:59.678 the chest and a sphere for the pelvis. Both 03:59.690 --> 04:02.840 rotated slightly towards the front and each other. 04:02.900 --> 04:06.155 This can then be connected with a section in 04:06.167 --> 04:09.880 between to form the belly area. Move the 3D cursor 04:09.881 --> 04:12.821 from the side view with a shortcut shift right 04:12.833 --> 04:15.720 mouse button or the cursor tool. This way you 04:15.721 --> 04:18.180 won't accidentally move the 3D cursor along 04:18.192 --> 04:20.720 the x-axis like you would do from the front. 04:21.840 --> 04:25.539 We want to keep the middle objects centered 04:25.551 --> 04:29.520 at all times. Add a UV sphere for the rib cage 04:29.521 --> 04:35.580 with shift a and then scale it up to match the size of the annotations with s. 04:36.800 --> 04:40.400 Then rotate it a bit clockwise with r and scale 04:40.412 --> 04:44.100 it along its local z-axis to make it longer with 04:44.101 --> 04:49.540 s and then hitting z twice. You can then duplicate the sphere with shift d and move 04:49.541 --> 04:52.617 it towards the pelvis. It's also good to note 04:52.629 --> 04:55.580 that I enabled random colors in the shading 04:55.581 --> 05:01.180 options. This way each object is visibly different with a randomly assigned color. 05:01.800 --> 05:04.920 This makes it a bit easier to keep the many objects apart. 05:05.800 --> 05:08.880 From the front view we can then make both spheres a bit 05:08.881 --> 05:15.920 wider by scaling them along the x-axis with s and then pressing x. For the spine 05:15.921 --> 05:19.822 belly area we'll create a cylinder. To bring 05:19.834 --> 05:23.480 it into shape we'll go into edit mode and 05:23.481 --> 05:26.855 add an edge loop in the middle of the cylinder 05:26.867 --> 05:30.180 with ctrl r or the loop cut tool. We can then 05:30.181 --> 05:33.414 select the upper edge loop with alt select 05:33.426 --> 05:36.980 and grab it with g to align it with the chest. 05:38.280 --> 05:41.408 We'll also scale it up on the x-axis a bit to 05:41.420 --> 05:44.560 make the chest overall wider than the center. 05:45.640 --> 05:49.405 Same thing for the bottom loop and the pelvis. 05:49.417 --> 05:52.620 But we'll keep that one the same scale. 05:54.380 --> 05:59.900 At first we're going to try to stay on the realistic side so the torso needs to gain 05:59.901 --> 06:03.793 more volume. For a stylized character the body 06:03.805 --> 06:07.540 can be slimmer or more varied. Just scale up 06:07.541 --> 06:11.012 the objects to fit the body proportions we are 06:11.024 --> 06:14.280 going for. Since all these objects are kept 06:14.281 --> 06:18.540 separate it will be very easy to change the 06:18.552 --> 06:23.120 proportions quickly later on. From here on out 06:23.121 --> 06:30.040 we'll add the most prominent muscles and hips. Add a cube where the chest has to be. 06:34.660 --> 06:37.811 We can then subdivide the cube by using the 06:37.823 --> 06:41.060 shortcut ctrl and either pressing one of the 06:41.061 --> 06:46.520 numbers from one to four. This will add a subdivision surface modifier to the object 06:46.521 --> 06:49.845 with the number of subdivisions based on the 06:49.857 --> 06:53.420 number you pressed. In this case three is fine, 06:53.421 --> 06:56.169 but you can change the resolution in the modifier 06:56.181 --> 06:58.940 tab of the properties editor to the right anyway. 06:59.880 --> 07:02.992 But the result doesn't really look like a cube 07:03.004 --> 07:06.060 anymore and we want to keep a bit of the cube 07:06.061 --> 07:10.039 profile. So let's go into edit mode, select 07:10.051 --> 07:14.320 everything and we'll add edge creases with the 07:14.321 --> 07:17.595 shortcut shift e. This will change the amount 07:17.607 --> 07:20.600 of smoothing that is applied to the edges 07:20.601 --> 07:23.723 when subdividing it with the modifier. You can 07:23.735 --> 07:26.800 adjust the strength by moving your mouse away 07:26.801 --> 07:29.933 from the center of the selection or by typing 07:29.945 --> 07:32.880 in any value from one to from zero to one. 07:33.200 --> 07:36.938 The strength of the edge crease is indicated by 07:36.950 --> 07:40.620 how magenta the edge is displayed. We can then 07:40.621 --> 07:46.360 scale the object down in the y-axis and rotate it into place to form the chest. 07:53.040 --> 07:56.268 Then in edit mode we'll select the lower right 07:56.280 --> 07:59.520 corner and move it a bit inwards and the upper 07:59.521 --> 08:02.879 right corner outwards to meet the shoulder. 08:02.891 --> 08:06.340 We can then, as in chapter one, add a mirror 08:06.341 --> 08:13.380 modifier and design a centered empty called center as the mirror object. This way we'll 08:13.381 --> 08:20.020 keep the local location and orientation of each object if we decide to make proportion 08:20.021 --> 08:24.001 changes or anything. We can then move on to the 08:24.013 --> 08:27.920 trapezius to connect the neck to the shoulders 08:27.921 --> 08:31.257 and the back. I already went over this muscle 08:31.269 --> 08:34.320 in chapter one, but I'll show here how to 08:34.321 --> 08:38.213 connect it to the rest of the torso. Create 08:38.225 --> 08:42.220 a sphere and scale it along the z-axis. Then 08:42.221 --> 08:51.310 rotate it into place to point towards both the shoulders and the head. From the top it 08:51.311 --> 08:55.434 should fill in the triangle-like shape that points 08:55.446 --> 08:59.250 towards the arms. Again add a mirror modifier. 09:01.350 --> 09:03.841 It's okay if these objects don't quite match 09:03.853 --> 09:06.470 the annotation lines since we will sculpt them 09:06.471 --> 09:09.677 further into shape later on. Make sure that the 09:09.689 --> 09:12.770 chest object is filling in the middle portion 09:12.771 --> 09:15.662 where the neck and the chest meet. For the 09:15.674 --> 09:19.130 shoulder blades we'll just reuse the chest object. 09:19.830 --> 09:23.116 Select and duplicate the object with shift d 09:23.128 --> 09:26.650 and then move it towards the back. You can then 09:26.651 --> 09:34.710 rotate it along the z-axis with r and then pressing z to align it with the back. Scale 09:34.711 --> 09:40.630 the shoulder blades down and rotate them slightly from the back view. You can now 09:40.631 --> 09:45.518 already notice the armpits forming. Now we'll 09:45.530 --> 09:50.320 add an extra object for the abdomen. Set the 09:50.321 --> 09:53.849 cursor ideally from the side before creating 09:53.861 --> 09:57.240 a new object. If you set it from the front 09:57.241 --> 10:00.031 it will be shifted along the x-axis and the 10:00.043 --> 10:03.040 object will be off-center. You can also select 10:03.041 --> 10:07.289 the belly cylinder and set the 3D cursor to 10:07.301 --> 10:11.660 the selection with shift s. Add a sphere and 10:11.661 --> 10:15.174 scale it up. To make it only show in the 10:15.186 --> 10:19.240 belly and not the back we'll scale it up along 10:19.241 --> 10:23.711 the z-axis and down on the y-axis. Then move it 10:23.723 --> 10:28.300 further to the front with pressing g and then y. 10:30.000 --> 10:33.098 Next up we'll add a sphere on the right of the 10:33.110 --> 10:36.220 pelvis for the hips. If we look at the drawing 10:36.221 --> 10:39.675 again this will essentially connect the legs 10:39.687 --> 10:43.310 to the torso and also form the butt. Scale the 10:43.311 --> 10:52.655 along the z-axis and rotate it a bit from the 10:52.667 --> 11:02.230 front or the back view. As always add a mirror 11:02.231 --> 11:06.526 modifier. If you look at the overall torso 11:06.538 --> 11:11.050 you can also notice the curvature of it all. 11:19.420 --> 11:22.086 Now it's time to get into the arms. You can 11:22.098 --> 11:24.900 also organize these portions of the body into 11:24.901 --> 11:28.388 individual collections if you like. For this 11:28.400 --> 11:31.740 example we'll go for an a-pose which means 11:31.741 --> 11:38.440 the arms are at a tilted angle instead of just completely straight. I'll explain more 11:38.441 --> 11:47.130 about the resting poses later on. Looking closer at the arms we notice that the main 11:47.131 --> 11:50.739 portions and moving parts are the shoulders, 11:50.751 --> 11:54.370 upper arm, a small portion for the elbow and 11:54.371 --> 12:02.422 the lower arm. The trick about the relationship 12:02.434 --> 12:09.640 of their shape is that they form kind of a 12:09.641 --> 12:13.054 thick and a thin side and fit into each other 12:13.066 --> 12:16.720 like that. So let's demonstrate this by actually 12:16.721 --> 12:19.757 creating the objects. We'll use subdivided cubes 12:19.769 --> 12:22.500 for this again and start with the shoulder. 12:22.940 --> 12:30.360 Place the 3D cursor and add the cube. Press ctrl 3 and go into edit mode and then use 12:30.361 --> 12:33.510 shift e again to crease the edges that you 12:33.522 --> 12:37.060 have selected. Also remember you can change the 12:37.061 --> 12:40.182 X-ray slider and the shading options to 1 to 12:40.194 --> 12:43.540 see your geometry in edit mode while having the 12:43.541 --> 12:47.221 shading be completely opaque. Select and grab 12:47.233 --> 12:54.169 the two corners that point towards the neck and arm to make the shoulders a bit more 12:54.181 --> 12:58.200 diamond shaped. Switch to edge selection with 2 12:58.201 --> 13:06.980 and scale the topmost edge down. Afterwards scale the edge towards the torso up. 13:11.770 --> 13:18.761 For the upper arm we'll create another subdivided 13:18.773 --> 13:25.490 cube. Rotate it from the front to align its own 13:25.491 --> 13:34.483 z-axis with the shoulder. Then scale the cube along 13:34.495 --> 13:42.970 its own z-axis with s and then pressing z twice. 13:44.450 --> 13:48.848 Try to connect it well with the shoulder. Always 13:48.860 --> 13:52.810 remember the chain link shape of all of it. 13:52.811 --> 13:59.330 Scale the upper arm along the y-axis and slightly down on the x-axis. 14:05.290 --> 14:12.110 Then duplicate the upper arm and rotate it along its own z-axis 90 degrees with r 14:12.610 --> 14:15.893 and then pressing z twice and then typing in 14:15.905 --> 14:19.350 90. Go into edit mode and scale down the wrist 14:19.351 --> 14:23.082 section. We can also add another loop for the 14:23.094 --> 14:26.670 lower arm with ctrl r or the loop cut tool. 14:26.671 --> 14:30.258 To define the width more scale the loops along 14:30.270 --> 14:33.790 the local y-axis to add a bit of thickness to 14:33.791 --> 14:36.965 the middle portion. To skip a bit of time we 14:36.977 --> 14:40.090 can assign a mirror modifier to one of them 14:40.091 --> 14:44.798 and have all other selected and pressing ctrl 14:44.810 --> 14:49.110 l. Then choose modifiers and the modifier 14:49.111 --> 14:55.330 stack will be copied to the other objects that you have selected. For the legs we'll 14:55.331 --> 14:58.193 do something very similar to the arms. We'll 14:58.205 --> 15:01.210 create the object again from subdivided cubes. 15:02.190 --> 15:05.990 Keeping a bit of the cube profile is pretty important for the legs though. 15:06.710 --> 15:13.692 The legs are also angled slightly backwards. 15:13.704 --> 15:20.380 We can then add some loops to add a bit of 15:20.381 --> 15:26.080 a leg profile. Move these loops a bit forward to bend the upper leg a bit. 15:32.640 --> 15:36.833 Then from the front rotate it clockwise to have 15:36.845 --> 15:40.960 it angled inwards. Then move the loops to give 15:40.961 --> 15:47.756 the leg a bulge on the right and a bit of an 15:47.768 --> 15:55.040 s-curve on the left. For the knee we can create 15:55.041 --> 16:01.780 a sphere to connect the upper and lower leg. 16:01.792 --> 16:08.850 Scale it along the z-axis and rotate it in the 16:08.851 --> 16:13.697 opposite direction as the upper leg. For the 16:13.709 --> 16:19.230 lower leg we'll duplicate the upper one and rotate 16:19.231 --> 16:39.030 it 180 degrees along the z-axis. Mirror it along the x-axis with ctrl m and pressing x 16:39.031 --> 16:43.823 and apply the scale with ctrl a and recalculate 16:43.835 --> 16:48.230 the normals in edit mode with shift n. Make 16:48.231 --> 16:51.355 sure that the lower leg is a bit displaced to the 16:51.367 --> 16:54.630 right of the upper leg. Again have a bit of a curve 16:54.631 --> 17:01.390 to the object on the right. But instead of making the s-curve manually on the left 17:01.391 --> 17:05.451 we'll push the left side in and keep this 17:05.463 --> 17:10.230 object purely bent. Also adjust the profile from 17:10.231 --> 17:14.260 the side with the leg becoming thinner towards 17:14.272 --> 17:18.050 the ankle. This object will now be the main 17:18.051 --> 17:23.674 leg and the shins. Place the 3D cursor on the left 17:23.686 --> 17:28.870 of the lower leg and add a sphere. Scale it up 17:28.871 --> 17:32.417 along the z-axis and place it in the lower leg 17:32.429 --> 17:35.910 to create the calves. From the side it should 17:35.911 --> 17:39.106 be positioned a bit backwards to make it more 17:39.118 --> 17:42.610 prominent from the back view. Make sure that both 17:42.611 --> 17:47.507 together form the base shape of the lower leg. 17:47.519 --> 17:52.000 We'll then select the front left edge loop 17:52.001 --> 17:59.377 and sharpen the crease a little bit. Assign 17:59.389 --> 18:07.120 and copy mirror modifiers for the leg objects 18:07.121 --> 18:10.365 and they are all done. Ideally turn off merge 18:10.377 --> 18:13.560 for the mirror modifiers to not accidentally 18:13.561 --> 18:16.580 merge the two sides where they meet. Also be 18:16.592 --> 18:19.760 careful when copying modifiers between objects 18:19.761 --> 18:24.320 because some of them might have subdivision surface modifiers on them 18:24.321 --> 18:28.740 while others don't and sometimes you don't want to copy them over. 18:36.280 --> 18:39.770 Now it's finally time to move on to the hands. 18:39.782 --> 18:42.980 One adjustment we can do to the arms first 18:42.981 --> 18:46.407 is to rotate the lower arm a little bit to 18:46.419 --> 18:50.020 make it more relaxed. Place the 3D cursor on 18:50.021 --> 18:56.040 the elbow and switch the pivot point to be the 3D cursor to change the pivot point. 18:56.680 --> 19:00.489 Then rotate the lower arm around the 3D cursor. 19:00.501 --> 19:04.160 Create a cube for the palm of the hand. Scale 19:04.161 --> 19:06.787 it along the three axes to match this kind of 19:06.799 --> 19:09.320 flat cube shape that you see on the screen. 19:11.140 --> 19:16.700 We'll do this first and then rotate it into place with the arms. An interesting thing 19:16.701 --> 19:19.974 about the hand is that the shape of the palm 19:19.986 --> 19:23.420 is rotating slightly sidewards and the fingers 19:23.421 --> 19:26.247 are angled counter to that. You can look at your 19:26.259 --> 19:28.860 own hand as an example and you'll notice it. 19:30.120 --> 19:34.520 Afterwards we can rotate the cube into place and add the subdivisions as usual. 19:35.080 --> 19:39.740 In edit mode we can change the edge creasing and adjust the shape a little bit. 19:53.350 --> 19:57.268 For the fingers we'll also use cubes in this 19:57.280 --> 20:01.210 case. Cylinders are also fine but I like the 20:01.211 --> 20:09.867 square profile as a start. Scale the cube along 20:09.879 --> 20:17.810 the x-axis to get the first finger section. 20:20.390 --> 20:30.750 Duplicate the cube and position it further up the finger. We'll then scale the second 20:30.751 --> 20:34.397 down along the x-axis to be about three quarters 20:34.409 --> 20:37.990 as long as the first. Do the same for the third 20:37.991 --> 20:43.449 section and scale it to three quarters of the 20:43.461 --> 20:48.810 length of the second one. This way we have a 20:48.811 --> 20:52.141 progressive size difference of the finger sections. 20:52.153 --> 20:54.970 Afterwards set the pivot point to be the 3D 20:54.971 --> 21:00.163 cursor again and rotate the finger sections a 21:00.175 --> 21:05.610 bit to make them more relaxed. Afterwards we'll 21:05.611 --> 21:10.519 connect the cubes as the index finger to the 21:10.531 --> 21:16.010 palm. Then duplicate the index finger three times 21:16.011 --> 21:18.590 and place them next to each other. But of 21:18.602 --> 21:21.510 course not all these fingers are the same size 21:21.511 --> 21:25.069 so we need to select them and resize them. The 21:25.081 --> 21:28.650 pinky finger is by far the smallest and placed 21:28.651 --> 21:31.985 further back into the palm. The ring finger is 21:31.997 --> 21:35.270 a bit smaller than the middle finger and also 21:35.271 --> 21:41.010 a bit further back in the palm. The middle finger can stay the same. 21:43.690 --> 21:46.801 The index finger is a bit smaller than the ring 21:46.813 --> 21:49.870 finger but further in the front of the palm so 21:49.871 --> 21:53.104 visually they match each other in length. This 21:53.116 --> 21:56.290 is of course dependent on the hand. There are 21:56.291 --> 21:59.407 different looks to hands and finger size and 21:59.419 --> 22:02.690 length. Same thing for the feet or the general 22:02.691 --> 22:05.834 proportions of the body. These proportions that 22:05.846 --> 22:09.270 I'm showing are kind of an idealized rule of thumb. 22:10.470 --> 22:12.682 If you look at the hand from the side view 22:12.694 --> 22:15.130 the palm of the hand together with its fingers 22:15.131 --> 22:20.123 are a bit bent. For the thumb we can duplicate 22:20.135 --> 22:25.030 two sections of the other fingers and arrange 22:25.031 --> 22:31.790 on the side of the palm. Remember on which side the thumb is always on. 22:32.690 --> 22:37.470 Basically the easiest way to remember it is if you have both your hands in front of you 22:37.471 --> 22:41.543 the thumbs can touch each other. Some of the 22:41.555 --> 22:46.010 vertices can be pulled into the palm a bit more. 22:51.180 --> 22:54.528 The lower thumb is then directly leading into 22:54.540 --> 22:57.900 the wrist. Then we'll just position and scale 22:57.901 --> 23:03.063 the tip of the thumb. The thumb is not just 23:03.075 --> 23:08.610 naturally angled at around 45 degrees but also 23:08.611 --> 23:14.771 rotated a bit downwards. If we look at the 23:14.783 --> 23:21.690 annotation drawings we can see that at an angle 23:21.691 --> 23:28.190 the thumb goes about as far as the middle of the hand or roughly where the palm ends. 23:30.510 --> 23:36.090 This is a good literal rule of thumb to know how long it needs to be. 23:38.770 --> 23:42.950 To show the bend of the palm a bit more we can add another loop 23:42.951 --> 23:47.870 and move the vertices on the side a bit down and rotate them a bit. 23:50.110 --> 23:52.979 Add the mirror modifier to the hand object 23:52.991 --> 23:56.010 by copying it from an arm object like before 23:56.011 --> 23:59.704 with Ctrl L. With this we're almost done. The 23:59.716 --> 24:03.750 last thing that is missing is of course the foot. 24:04.990 --> 24:09.001 We'll create a foot from basically two objects. 24:09.013 --> 24:12.950 The first one is another subdivided cube which 24:12.951 --> 24:16.132 will be the sole. This one will be scaled 24:16.144 --> 24:19.570 down along the z-axis and then we can define 24:19.571 --> 24:27.150 the foot profile from below in edit mode. Look up foot profile online for more direct 24:27.151 --> 24:31.408 reference of how a foot looks like from below. 24:31.420 --> 24:35.410 First off we can scale the foot up on the y 24:35.411 --> 24:38.789 and x axis to roughly have the size that we 24:38.801 --> 24:42.270 want. Then we can add a couple more loops to 24:42.271 --> 24:45.622 have more geometry to work with. Select and 24:45.634 --> 24:49.310 move the vertices around to get something close 24:49.311 --> 25:10.150 to a foot profile. If it ends up still too small you can then scale up the object. 25:12.410 --> 25:15.621 The second object to add is the rest of the 25:15.633 --> 25:18.930 foot and we'll do that by adding a cylinder. 25:19.470 --> 25:23.490 and moving and scaling it roughly into place on top of the sole. 25:32.350 --> 25:35.863 From below or above we can then select and move 25:35.875 --> 25:39.250 around the vertices to define the shape more. 25:40.290 --> 25:47.710 You can also hide other collections of body parts to have less visual clutter. Enable 25:47.711 --> 25:50.647 proportional editing to have a fall-off effect 25:50.659 --> 25:53.350 while moving your selections in edit mode. 25:54.490 --> 25:58.650 Use the scroll wheel to change the radius of that fall-off effect. 25:59.710 --> 26:04.250 Make the cylinder roughly fit the profile but leave room for the toes. 26:06.830 --> 26:09.705 Then select the top loop of the cylinder and 26:09.717 --> 26:12.670 scale it down to match the size of the ankle. 26:13.570 --> 26:18.263 Then push it back to connect it to the leg. 26:18.275 --> 26:23.090 The lower part of the leg can also be pushed 26:23.091 --> 26:41.620 down a bit more to meet the foot. Then as always add mirror modifiers. 26:47.150 --> 26:52.690 And this is it. We'll have our primitive base mesh for the full body. Also remember 26:52.691 --> 26:57.370 that you can save and reuse any of these base meshes for future sculpts. 26:57.750 --> 27:00.853 In the next video we'll finally get into sculpting 27:00.865 --> 27:03.730 all of these objects into shape. See you then.