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Latest on Charge

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Production Log #31

  • Oct. 17th, 2022

Krystal
Krystal

I worked on the muzzle flash fx, gave Einar finally an initial pass to all surfaces, including much more detail, like fuzz and did a pass on the maximum distress version of Einar with bruises, sweat and dirt.


Production Log #30

  • Oct. 10th, 2022

Krystal
Krystal

I finally got around to do a pass on the shading of the security guard, which we see in just a few but quite close up shots. That also included doing some embroidery and shading for his ID card. Then I also worked on the FX for the bullet impacts. I created an asset that uses my previous geometry nodes setups to layer sparks, flying debris and dust clouds for the generic bullet impact we need to easily add in a lot of shots. Apart from that I spent some time on helping out with designing the logo for the Blender conference.


Production Log #29

  • Oct. 3rd, 2022

Krystal
Krystal

I continued the work on the factory exterior shots this week. There was a detail pass on 020 and 030 received animated steam to liven up the shot. The biggest amount of work was in 080_escape since the time of day has changed significantly compared to the earlier scenes. Also, cars were added and had to be integrated into the still image. The fire is still temporary and has to be refined further.


Krystal
Krystal

Wrapping up the machine destruction shots that will receive additional fire and light fx. Also reworking the factory floor by adding more detail to the overhead conveyor section. Adding detail to the bots and arms to hold the bots into position.


Krystal
Krystal

I added the pink paint splash to the security bot and started working on the security guard room


Krystal
Krystal

As we are wrapping up animation next week, we're fully into polishing mode. We are looking at every shot and see where we can improve the quality of the animation as much as possible. Here are a couple of sequence progression videos comparing different stages of animation.


Krystal
Krystal

Here are some scene progression of the sequences I've been animating


Production Log #28

  • Sept. 26th, 2022

Krystal
Krystal

This week I picked up the outside view of the factory that Beau was working on last week. The wide shots of the building will all be Cycles renders with some touch ups in Krita. After that they will be comp'ed into the Eevee-rendered foregrounds.


Krystal
Krystal

This week was about destroying machines along the conveyor belt. These versiona will receive additional explosion fx and adjustments to wrap everything up.


Krystal
Krystal

This week I spent mostly doing shading on the factory robot characters, the packbot and the security bot. The shading is to a large part procedural, so that it makes it easy and quick to apply. It does mean, that I had to do a bunch of topology/creasing/bevel weight changes to give the shader the right information for edge detection.


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